Entertainment: Opening with a song "Elevator God of War" to challenge the whole audience

Chapter 152



Chapter 152

"Dude, are you writing a book?"

Yu Qian flipped through a few pages and turned to look at Su Mo and asked.

"No."

Su Mo wiped his back and said, "This is Zhuo Yifan's biography. I wrote it based on the characters in the script and my understanding of this character. I don't know if it's right."

"That's right, Brother Qian, can you help me see if there is anything to add."

"Add?"

Yu Qian smacked his lips and didn't know what to say for a while.

He counted, a total of fifteen pages, starting from Zhuo Yifan's birth, including Zhuo Yifan's growth, and even his relatives and friends were introduced, until he came to Africa to take over his father's factory.

Although it looks like a detailed description, the logic and character setting are too meticulous and perfect.

That's it,

Who should guide whom?

At least, Yu Qian doesn't think he can write such a beautiful biography and analyze a character so thoroughly.

In other words.

Three major schools of performance:

1. Stanislavsky system, also known as experiential school.

That is, whoever I want to play, I must deeply understand this person, completely integrate myself into this role, and give people a sense of indifference of true performance;

2. Brecht school, also known as expressionism.

Expressionism emphasizes acting skills, everything is acting, when acting, I am the character in the play, after the performance, I am still myself;

3. Mei Lanfang school, also known as Meipai.

Meipai is a form of freehand expression.

It is a proposition that integrates the ideas of ancient opera art and aesthetics.

His focus is to break through the limitations of space, break through the limitations of time, and use stage virtuality and action virtuality to create a stage world that is far from real life but full of artistic conception.

Therefore, the Mei School system is also known as a stylized performance method. It is more suitable for the stage and can bring the audience a unique sense of form and appreciation. Generally, in film and television dramas, this performance form will be too detached from the plot, so few actors use it.

For artists in Daxia's entertainment industry, the performance school is the most widely used.

And Yu Qian, his acting style belongs to the experience school.

And Su Mo.

When he played Shifen in "Take My Brother Away", he used the experience school method;

When he played Mao Shiba in "Passing by Your World", he used the expression school method.

At this moment, Su Mo's acting method is inclined to a new and not fully formed acting system in modern times: the conception method.

The conception method,

is based on the society and environment set by the script, with other characters as supporting roles for comparison, and the role played by oneself as the protagonist, through thinking and constructing the complete story of the role.

Then, the character you have constructed is reversely integrated into the script, and through the "experiential school" method, it is allowed to run-in and blend with the society, environment, and other characters in the original script.

Make it exist reasonably and realistically without destroying any other characters in the script.

Finally, when acting, use the "expressive school" method to ensure the stability and expressiveness of the role you play.

Want to do these.

You need to be smart enough, and you need to have a certain amount of experience and the ability to analyze, decompose, and reconstruct things.

In short,

This is a performance system that combines the experiential school and the expressive school, and is mixed with self-emotions and character reconstruction. In fact, in the past or now, many people have used similar performance methods, but this performance method is not perfect.

All actors will eventually tend to learn and act mainly in the experiential school or the expressive school, because things with a system are relatively easy to learn.

Su Mo used this method without considering any faction or performance method. He just felt that doing so should make his performance better and more realistic.

"Well, I have to call two more people."

"After you pack up, just go to the tent behind."

"Man, let me take your biography first and take a look. You can bring it back after dinner."

Yu Qian didn't wait for Su Mo to respond. He grabbed the notebook on the table and walked out of the tent. He turned around and strode to the tent behind.

"So anxious?"

"When did Uncle Qian become impatient?"

Su Mo muttered to himself, changed into a short-sleeved shirt and big shorts, turned around and opened Song Yuqi's mosquito net.

"Yuqi, get up and eat."

Su Mo poked Song Yuqi's arm and shouted, "If you don't get up, you won't have anything to eat when you wake up at night."

"Oh."

Song Yuqi opened her eyes and glanced at SuMo glanced, turned over, and closed his eyes again.

"......!"

Su Mo shouted again: "Get up, it's time to eat!"

"I know!"

Song Yuqi rubbed her eyes.

The next second.

There was no movement again.

"Uh...!"

Su Mo was speechless for a while.

Should he get up or not?

Su Mo rarely interacted with girls.

When filming "Take My Brother Away", he did call Zhang Zifeng to get up a few times, but Zhang Zifeng never hesitated. He got up as soon as he woke up, which was very refreshing.

But Song Yuqi in front of him.

Su Mo just felt a headache.

If this was a boy, Su Mo would definitely pull him up.

If he didn't wake up again, Su Mo could carry him up and directly put his head into the basin.

He had to wake him up anyway.

After all, eating is a big deal.

But Song Yuqi is a girl.

It is definitely not okay to treat her the same way as a boy.

After all, there are differences between men and women.

"Ah...!"

Su Mo sighed, bent down to Song Yuqi's ear, and shouted: "Brother, get up!"

"If you don't get up, do you believe I will spank you?!"

"Ah~!"

Song Yuqi shouted, sat up, opened her eyes, stared at Su Mo fiercely, motionless, and didn't speak.

"Uh...?!"

Su Mo was a little scared by being stared at, and asked hesitantly: "Or, you can sleep for a while?"

Song Yuqi lay down directly after hearing this, turned over and hugged the pillow, leaving Su Mo with her back.

So, I, the boss, can't even wake up a sleepy employee? !

Where can I go to make sense?

Su Mo regretted it now.

If he had known that Song Yuqi was so difficult to wake up, Su Mo would never refuse when Liu Yajing and the others wanted to come with him.

After all, it is definitely more convenient for a girl to call a girl.

But this thought only flashed through his mind.

The next thought came up: Could she have a fever due to the unfamiliar climate?

Su Mo leaned down anxiously and reached out to touch Song Yuqi's forehead.

"Huh..."

"Fortunately, she doesn't have a fever."

Su Mo breathed a sigh of relief.

Just as he was about to get up, Song Yuqi grabbed his arm and sat up without opening her eyes, muttering, "Su Mo, I'm hungry!"

("▔□▔)!

"Then get up and eat!"

Su Mo stood up and pulled Song Yuqi up, "Hurry up, wash up, Brother Jing, Brother Qian and the others are waiting."

"Also, you're all wet, wipe it off and change your clothes."

"Oh."

"Ha~"

"Boss, can you bring me some clothes? "

Song Yuqi opened her sleepy eyes and blinked at Su Mo. She looked like a child who just woke up, so cute.


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